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The Human Race

I am often brought to my emotional knees by displays of humanity, specifically in the form of unity or support.  I have learned to choose my eye make-up carefully when attending the Heritage of Pride parade every July.  The marching NYPD and FDNY always destroy me as I know my history and recognize the gravity of the solidarity.  This summer I was brought down by the mother riding on the back of her daughter’s motorcycle while holding a sign proclaiming her pride in her daughter.  Humans supporting humans, be it strangers, family or friends, just plucks at my heartstrings.  Yet knowing this somehow did not fully prepare me for the emotional avalanche of watching the NYC Marathon at the finish line.

I think that it is safe to assume that for every runner, there is a story.  No one runs a marathon on a whim.  I certainly expected the city flair which was on display with running; chickens, Elvis, superheros, inflatable sumo wrestler suits, ballerinas, clowns, Blues Brothers and the like.  But the degree to which runners were being bolstered (physically and spiritually) by strangers, friends, and partners was surprising.  I stood next to a man who shouted words of encouragement to every person who ran past him with a name written on their shirt.  He did this for an hour.  “You can do it Amy.”  “You’re almost there big Sal.”  “Dig deep Carl, dig deep.”  I lost count of the couples holding hands as they walked/stumbled and dragged each other to the end.  There were many “teams” running together and more often than not, there was one member being held up while others slowed their pace in order to stay together.  One man collapsed with an injured leg and could no longer walk.  Marathon volunteers picked him up and carried him to the finish line.  I saw a young woman holding a rope tied to an old man.  I saw runner guides leading disabled runners.  I lost count of how many pairs of runners had their arms around one another’s waist.  There was a military “no one gets left behind” determination on their faces.  As the sun set and the crowds of spectators thinned, a race organizer took to the microphone and yelled inspirational messages (in a good way.)  She told the runners that they were just a block away from the moment they’ve been waiting for and one that they’ll never forget.  She did this for hours.  In the dark.

It was a moving and inspirational day for this non-marathoner.  I tried not to focus on the anomaly of the outpouring of support and instead simply revel in it.  Parades, marathons, snowstorms, disaster, they bring out our best.  It’s not that we choose to not be our best everyday, it’s that most of us simply don’t have that kind of stamina.

 
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Posted by on November 7, 2011 in Cultural Critique

 

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A Not So Happy Meal

True story.  Two preschoolers walk into a restaurant and make a beeline for two gentlemen finishing their dinner.  The smaller of the foursome proceed in pawing and crawling on the larger.  The men have an unmistakably startled look upon their faces.  Their eyes dart frantically as their minds seem to race.  After a few moments a sleepwalking nanny appears, and in her wake a texting mother and a bombastic grandmother.  The nanny and matriarchs continue to ignore the children and the two men make haste through their coffee and check.  No doubt these women have sexual predator lists bookmarked on their handhelds, and Amber alerts on their Twitter feed.  But I digress.  The men fled and the disengaged family proceeded (not without much chaos, fuss, and noise) to their table.

This would be a good place to point out some key “setting” elements of the tale.  This occurred in a seafood restaurant.  Not the red plastic baskets filled with deep-fried seafood morsels type of seafood restaurant either.  Candlelight, white tablecloths, extensive champagne list, raw bar, kind of seafood restaurant.  Also of note is the time.  It was past 8:00 P.M.

Not surprisingly the behavior of the children, and the obliviousness of the adults, did not change in a sitting position.  The girl child brayed (continuously) and the boy child climbed on the table.  The behavior worsened as the time crept steadily past their bedtime.  The restaurant management did nothing.  Considering there is no child’s menu, perhaps the profit margin was simply too enticing

Any good story, especially one that hovers near horror, should have a moral.  What we learn here is that 1) 8:00 PM is not the adult hour any longer and 2) cost and formality are no longer a litmus for anything.  I am hesitant to move my dining time to a more adult hour, (say midnight?) knowing full well what obstacle courses I will encounter.  The later it gets, the drunker the diners get.  Stop into any restaurant around 11:00 or 12:00 and the volume will blow you back out the door.  Want to regain your composure in the ladies’ room?  Good luck elbowing past the women administering, what I can only imagine are homeopathic remedies, to each other.  Of course there is a gift-with-purchase entertainment quality to late night dining.  With a dining companion who’s game, an entire evening can be made of playing “who in this room is being compensated for their time?” or “how many people can we spot who have only moved their food around and have not lifted the fork.”  But by midnight, I’m usually too hungry or tired to be much good at the games.

May I suggest something wildly radical?  What if the nanny in this story took the children home to feed them and put them to bed.  How about if adults recognized that their actions affect others and being a parent by definition is a whole lot of sacrifice.  And since we’re on the subject, how about business owners, theatre managers and the like stop hiding in the broom closet.  What on earth is so scary about stating; “This is an adult establishment” or “If your children become disruptive we will ask you to leave.”  I can’t imagine restaurant owners, who are only as good as their restaurant’s reputation, really relish their lovely establishment resembling a chuck-e-cheese.  No business owner wants to hear the complaints of customers either.  Could it be that (gasp) no one is complaining?  If the music is too loud, do you not complain?  If the air conditioning too arctic, do you not complain?  If two free-range preschoolers are crawling on you, do you not complain and point out that you were going to order a couple of glasses of cognac, but now you’d just like the check?  Maybe we are all complicit.  Maybe we need to (baby) step it up just a bit and Occupy Adulthood.

 
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Posted by on November 5, 2011 in Childhood

 

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Sons of the Prophet – Review

Sons of the Prophet, a new play by Stephen Karam, has recently opened at the Roundabout at Laura Pels.  The play is a beautifully rendered portrait of broken people.  The (euphemistic) curtain rises with the frightening realistic sounds (M.L. Dogg) of a car crash.  The remaining two hour narrative then centers around the accident, which eventually claims the life of the Douaihy patriarch.  It is a relatively simple story which is told with and honesty and artistry rarely seen.  Directed by Peter DuBois, and with a cast of eight ranging from award winning Joanna Gleason to those making their New York premiere, the production achieves musicality.  When David Mamet plays are done well, they can sound like a well seasoned jazz band.  Sons of the Prophet is jazz as well, but gentler, softer, more whole notes than black keys.  There is a realism, as in when people talk over one another, partnered with perfectly modulated (non-amplified) tones that intensifies the drama.

The Douaiy family is distantly related to Khalil Gibran (hence the title of the play) and projected references to his tome are used to wonderful effect.  The sets (Anna Louizos) are very clever and are incredibly helpful in a play with more than a dozen scenes.  This play is crafted so well, and is so very honest in its depiction of human beings.  But it is the performances that really make it soar.  Ms. Gleason (looking ravishing) plays her character, Gloria, as if she is made of glass.  It is a gorgeous performance of a not entirely sympathetic character.  The other standouts (for me) were Yusef Bulos (Uncle Bill) and Chris Perfetti (Charles.)  I felt as if I was voyeur, peeking into the window of an interesting family.

It is also worth mentioning that this very moving drama is hysterically funny.  Knee slapping, choking on candy, funny.  I know it’s a good time when I get dirty looks from those around me.  I think it safe to say that this play will appeal to almost everyone.  If laughing, or crying is not your thing, perhaps the scathing commentary on the state of our nation’s healthcare system might appeal to you.  This production will stay with me for some time.  There were so many moments, silent and otherwise, that spoke to the complexities of life.  At its core, it is a meditation on life.  A messy meditation, created not for pages with pithy chapter titles, but for very talented artists and a grateful audience.

 
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Posted by on November 3, 2011 in Uncategorized

 

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Take A Good Look My Dear, The Old South Has Disappeared

Great Jehoshaphat, southern gentility is reported to be on the decline!  Perhaps you’re thinking that in these uncertain times, this news is hardly worth mention.  But if you believe, as I firmly do, that social graces are what separates us from the animals, you are nervous.

Gentility on a micro level makes our days less, something to endure and more, something to celebrate.  Having a door held open, versus slammed in one’s face, makes if not the entire day, at least a moment, less stress inducing and more gratitude inducing.  When a person moves out of the doorway (of an elevator, bus, train) they are communicating (for a split second) “I am cognizant of not living in solitary.”  It is our nature to want to be acknowledged, if even just physically.  No one wants to be ignored (as we learned from Fatal Attraction.)  At the root of boorish behavior is self absorption.  “The world exists to tend to my needs.”  It is not difficult to spot the trajectory of such a perspective.  If we scratch the surface of a political scandal or corporate malfeasance, wouldn’t we find this mindset?  I think we’d all agree that the root of any ponzi scheme is a desire to have the world attend to the orchestrator’s needs.  Most of us are not global economic leaders, but like recycling, don’t we want to do our small part?  Giving a pregnant woman your seat is the pebble in the lake of decency.

I am not entirely naive about the origins of southern gentility or how it can be quite manipulative.  It’s just that I’m okay with that.  Our culture is experiencing a political correctness frenzy.  We feel compelled to put preposterous positive spin on everything, no matter how misleading.  So why not employ that same smiley face/have a nice day rhetoric in being kind to strangers, or for that matter, friends?  I’m going out on a limb and suggesting that the old south is not familiar with the term “frenemies.”  Do you remember Melanie Wilkes referring to Scarlett as “spirited” bless her heart?  Scarlett had said unkind things about dear Melanie and was rabidly after Ms. Wilkes’ fiance.  What in the world would today’s Melanie post on Facebook?  I shudder to even consider.

Helping a tourist, complimenting a stranger’s scarf, holding an elevator door, making funny faces at a crying baby, demand a level of awareness.  It is hard to text, drive, drink from a sippy cup AND let someone merge into your lane.  It is equally difficult to talk on the phone, drink from a sippy cup, push a double-wide stroller, and notice the person in front of you has dropped a glove.  So if removing our plastic bubble as we go through our day is not realistic, how about doing so just when engaged in intentional social interaction?  Why don’t we start with remembering that social interactions, large and small, are not about the individual, they are about the group.  Throwing oneself a celebration (nuptial, birthday, etc.) means one is a host.  A good host makes his/her guests feel comfortable and welcomed.  A good (and even not so good) host does not invoice his or her guests and always expresses gratitude for their presence.  Like accessorizing, civility is what separates us from the animals.

 
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Posted by on November 2, 2011 in Cultural Critique, Media/Marketing

 

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#ThreeMinutesApart

Would you give birth in an art gallery?  On purpose?  I’m guessing no.  Nor would I.  But then again I wouldn’t post a photo of my fetus on Facebook.  Call me a traditionalist, but I consider medical tests to be somewhat personal.  Sonograms and birthing are two sides of a similar coin (and not just in the procreational timeline.)

Birthing as “art” is pretty low on the Gypsy-Rose-Lee-having-no-talent rung of performance art.  Unless the “artist” did it while playing the trumpet, dancing, or adorned in light bulbs, I’m not sure it counts as a talent.  I’ve seen enough bad acting in my life to know that talent often need not get in the way of being on stage.  I would venture that our Lamaze performance artist is a subscriber to the “if it happens to me, it is interesting” school of thought.  But all art is some form of exhibitionism, isn’t it?  I’m less concerned with her personal display than I am with the sonogram as baby photo.

Medical test photos on Facebook are creepy.  A) it’s way too personal b) it’s a fetus, not an infant, anything could happen g-d forbid (which is why the test was done in the first place!) c) what in the world is the poster after as a response? “Oh your blurry blob looks just like you!”  After seeing one of these test results posted I started counting the years to my first colonoscopy.  Brace yourself world.

There are some out there who may not be ready to share their sonogram photos with the world.  Why, you ask?  Well because they conceived last night, so for them it is a photo of the pee stick.  That’s right.  Every friend and virtual friend can now see the results of a pregnancy test.  (I so wish I was being facetious, but oh my dears, I am still scrubbing my eyes.)  Remember when you didn’t discuss your pregnancy until the end of the first trimester?  Pish posh and rubbish.  I’m willing to venture that right at this moment, someone is updating her status with; “my temperature is elevated and the lights are dimmed.”

How did we develop this insatiable need for an audience?  When did the miracle of life diminish in its gravitas?  How is creating a life, not enough?  I struggle to resist my knee jerk reaction of pinning this on immaturity.  But I simply can’t help but equate this behavior with a toddler announcing to a group of adults that she successfully went potty.

 
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Posted by on October 30, 2011 in Cultural Critique, Media/Marketing

 

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