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Flying Solo

 

 

 

If you’ve been out in public during the past ten years you may have noticed that there are few “adult” domains dotting our landscape. I don’t refer to the “Live” “Nude” Times Square of decades past. I refer instead to any and everywhere. The stroller set has infiltrated your local coffee shop and bar (hey after a long day playing in a sanitized million dollar soft-edged heat-proof playground, you’d need a stiff drink too.) Restaurants whose white tablecloths and staggering bills once signaled and adult oasis, now have nuggets of processed foods on the menu (because after all small children do enjoy fine dining they just don’t enjoy actual food.) No doubt much of the free-range high pitched squealing you experience (in restaurants, bars or Holocaust memorial museums) is mostly due to a parent not wanting to deny themselves anything of their pre-parenting life. It would seem that some people skipped the “What to EXPECT when you’re expecting” chapter. Life should continue unaltered save for many more accessories.

But what of the scenario in which the presence of one’s own child ruins the experience of the parent. Clearly ruining other people’s experience is a great motivator, but what if your own child negates your pleasure. No, we’re not venturing into “family bed” territory. Instead we’re looking at high-end travel. Not private plane, private island, private ecosystem travel. Just ordinary 5-star travel. Why would a person choose to fly first-class with a child younger than school age? If we assume both are healthy and that the child(ren) are not actual owners of the airline; what in the world would compel an adult to fly first-class with a small, squealing, squirming child? It can’t be the free food, children don’t seem to eat real food. (Oh for the love of all decency, don’t tell me they now serve nuggets in first-class!) It’s almost certainly not the free booze, although it could be that warm wet towel. The parent’s experience could not be improved by being in first class. Unless the flight attendants actually relieve the parent of the child, how is the parent enjoying the benefits of first-class? Is it merely the mustache twirling delight in having ruined everyone else’s first-class experience? Doubtful.

Once the aircraft has taxied to the gate and the fasten seat belt sign has been turned off, where are the little tykes staying? Are they off to visit relatives or perhaps moving into their new home? No, they’re off to the 5-star hotel/resort with zero child-centric amenities. Their parents will play running, screaming games of hide and seek in the plush penthouse level hallway at 10:30 PM. These adults will encourage the practicing of door slamming (“good boy!”) throughout the early morning hours. And we are left wondering why. Why would anyone choose to spend so much money to not enjoy the quiet, the plushness, the afternoon tea, the romance and the restorative nature of a very posh hotel? Why in an area dotted with chain hotels and motels catering to children and their nugget ways would anyone think that children should be in a place created for the pleasure of adults? Is it merely an extension of the ‘not being denied’ anything of one’s pre-parenting days? Does it matter not a whit that you spent the money and didn’t actually have the experience for which you paid? Is it an insistence of not lowering one’s standards just because one has decided to parent? (Note: Entitlement isn’t really a standard; it’s more of a pervasive and toxic behavior.) Could it be something even slightly more disturbing? Could it be that the child/infant is an adult security blanket? The world and/or social gatherings are far less daunting when you can dress up a little person and spend the day deflecting. That motivation would certainly explain the appearance of children/babies at funerals and weddings. “Pay no attention to the adult behind the baby!” It’s enough to make a person miss the security blankets that were smoking and sedatives.

 
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Posted by on October 15, 2012 in Childhood, Travel

 

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A Really Big Show

Even if you’d never watched the Ed Sullivan show, you probably know what it was. The variety show brought the Beatles to television. Ed and his show played a central part in the Broadway musical (and film) Bye Bye Birdie. Any1950s-1960s period film or television series will make mention of or reference to Ed Sullivan. Ed and his really big show, liked to discover talent. He was an American popular culture tastemaker for decades. He wasn’t a performer in any traditional sense; he was a host.

That would be where Barbra Streisand’s new show and Mr. Sullivan’s old show part company. Barbra is a performer and (just in case you missed it) is performing in Brooklyn for the first time. Her show, at the spanking new Barclays Center, entitled Back To Brooklyn, opened last night. It was a long show featuring several performers and videos. She sang some too.

The concert (with a start time of 8:00 PM) started some time after 8:30 PM. It was fun to picture the ghost of Judy Garland whispering in Barbra’s ear; “not yet, you can’t go out yet.” A slideshow of Barbra’s childhood to Funny Girl played on the scrim while the ravishing orchestra treated the audience to beautiful arrangements of bits of her best. The scrim dropped (in a rather quaint old-fashioned stage-handy manner) and the stage was revealed. The stage was designed in and around the orchestra, allowing the audience full view of the wonderful musicians. Barbra appeared and bantered her way into “As If We Never Said Good-bye” from Sunset Boulevard. Whether the song benefited from altering the lyrics to include words such as “lox, knish, and Flatbush” is a matter of personal taste. Shortly after the song, and after many unsuccessful attempts, the audience was able to communicate that the spotlights aimed at the audience’s eyes (for the past hour) must be turned off. Blessedly she got it and took care of her audience. We were then able to see her ravishing self. In the first of three outfits (not including a sequined James Brown cape) she was spectacular.

After a few songs the first of her guests were presented. A young Italian singing trio; Il Volo took the stage; engaged in some rehearsed banter, and sang one song with Barbra. Barbra then left the stage for Il Volo to perform on their own. They have strong, if not particularly interesting voices, but it felt odd to sit through an opening act during a concert already in progress. Barbra returned and sang a bit more and answered (prescreened) question, at times quite humorously. More acts were introduced throughout the night; a trumpeter, a violinist, a drummer, and a children’s choir. If your musical taste is the same as Ms. Streisand this may have been a welcome treat. There was one guest who added tremendously to the evening. The audience was introduced to the guest via a film (one of three shown about Barbra.) This was a film Barbra’s son Jason had made for her birthday. It was a lovely montage of mother and son photos throughout the years (with ages 8-24 somewhat missing in action.) The audio was a stirring rendition of Nature Boy (Nat King Cole) sung by none other than Jason. He joined his mother on stage for what was without question the best 15 minutes of the concert. Jason appeared slightly nervous, and extremely handsome. Barbra simply melted in his pressence. She was a maternal puddle and a swooning fan. Mr. Gould does have a beautiful, pure and strong voice. He seems to have found a sound that is all his own, yet not surprisingly he blended perfectly with his mother in duet.

Barbra’s solo numbers included a brief tribute to her recently departed friend and colleague Marvin Hamlisch and a nice shout-out to the late Donna Summer. The bells and whistles number was most certainly the show-tune medley (2 parts Gypsy and 1 part Funny Girl.) Other audience favorites included; Evergreen, People, and Happy Days. All songs had been newly arranged to accommodate her range. It created an interesting effect, similar to seeing a new interpretation of a classic play. Her voice has changed rather noticeably. It was a bit stressful for the audience to worry about notes being hit. She is a seasoned (to put it mildly) performer and knew just how to recover each and every time.

Audiences will not be disappointed if they are prepared for a variety show. No doubt when the show hits the road it will no longer be called; “Back To Brooklyn.” A more apt title might be; “Barbra and Friends.”

 
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Posted by on October 12, 2012 in Uncategorized

 

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Take Back The Workday

 

In one week I was asked three times if I was available for a meeting after 5:30 PM. These meetings were not involving that business we call show, or in the hospitality or health care arena. There is nothing 24-hour or evening hours about this particular business. If anything this organization follows a somewhat academic rhythm with employees starting between 7:30 and 8:30 in the morning. There was no crisis, no deadline, no urgency. These were run-of-the-mill everyday “we meet because we meet” meetings.

If it was one request, it might go without notice; but three times in one week is worthy of note. You would have to be living under a rock to not know that everyone is “stressed” and “has no time.” Articles and on-air segments tell us that people are having it all and doing everything and scheduling physical relations. We are led to believe that business is busy and people are doing far too much. But is it true? Is it really true?

How many times in the past week have you seen any of the following?

  • Police officers texting on duty
  • Cashiers texting on duty
  • Anyone texting on duty
  • Non-work related tweeting, Facebooking, surfing, commenting (now let’s be honest, unless the whole damn world is unemployed, working people have got to be contributing to the daytime noise)

Now think back to how many meaningless emails you’ve received and meetings you’ve attended in the past week. Could it be when the workplace was more formal (and not just in the “no flip-flops” way) time was more formal and structured as well? When communication has to go from your head, out your mouth into a secretary’s ear, through his/her fingers, into a mimeograph machine, prepared for the mailroom, delivered, opened and read; you might think twice about how and when you express yourself.

In addition to the immediacy of an outlet for our brain dump is the fact that boundaries aren’t what they once were. (Need we discuss how many times you’ve been subjected to a full blown account of someone’s medical test or birth control choices while riding a bus or elevator?) People ask you to meet at 5:30 on a Friday because there’s a chance you might say yes. They will email you on Sunday night because there’s a chance you might respond. Certainly there are professions and industries that demand being “on” all the time. But the rest of us needn’t be so available or feel so anxious. Let’s be frank, we answer (or g-d forbid send) that Sunday night email because a) we can b) we want it off of our minds and c) because we want to appear to be working.

The appearance of working is not technically the same as working. Getting coffee, having lunch, touching base, celebrating milestones with mini-cupcakes? Not really working. Meetings at which people show up late, no one is in charge, and everyone is texting? Not really working. A little austerity could go a long way in giving us back some hours. Starting today when an off-hour request occurs ask yourself:

  • Is anything on fire
  • Is anyone bleeding
  • Is a project in danger of becoming completely, utterly, irreparably derailed

If the most dramatic response you can muster (to these questions) is a “well”, say no. There are those who work for unreasonable people and feel they simply have no choice (if they want to eat.) That’s a dreadful and hopefully temporary situation. But for everyone else it’s just a matter of changing the cultural climate. Yes, the most direct way to do that is top down, but that would take a rather evolved leader, no? We can all slowly and incrementally change the way we respond to requests of our time. It demands we stay present and not reactionary. It means keeping our eye on the prize (or our work/project goals.) There’s no doubt if we can stay focused during our work day we’ll actually accomplish more, and after-hours can resume its rightful title; “happy hour.”

 
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Posted by on October 11, 2012 in Cultural Critique, Well-Being

 

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College Affirmative Action

Higher education affirmative action is in the news again. It’s not all that surprising that in recent years people are more comfortable discussing its merits. It has been (almost exactly) fifty years since Ole Miss first integrated and fifty years is a long time. It’s enough time for people to forget and it’s enough time for generations to come of age free of the first hand effect of segregation. Add to that a shift in our collective attitude about college being for everyone; and it’s no doubt the subject of parity crops up. The continued need and efficacy of affirmative action is often discussed in academic circles. Lately, it is also often played out in the courts and media.

The lawsuits (or protests) that bubble up often have to do with a perceived lack of fairness. Thwarted students compare their own applications and numbers (i.e., test scores, grades, rankings) against those who were admitted. The would-be (white) students compare their own larger (or equal) numbers to that of a non-white student and feels there has been discrimination. All issues of affirmative action aside, that understanding of the admission process is deeply flawed.

Straightforward scorekeeping is the determinate in plenty of endeavors. When you play sport, or lose weight; numbers are all that matter. But most of life’s external accomplishments are much more subjective than a numbers game. The skyrocketed costs, four-star amenities, and assumption that college is for every high school graduate, has created a sense of a transactional relationship. There are thousands of four-year colleges/universities in this country. Before a student applies he/she has presumably poured over websites and determined; “Yes, I’d be a good fit.” The student knows the requirements for admission, knows the average SAT/ACT scores and class rankings, and knows they fit the bill. Rejection stings, and many struggle with trying to get past the hurt. Parents and children will rattle off admitted high school classmate’s rankings, and GPAs in their struggle to understand the rejection. Resentments and overall icky behavior often ensues. No one wants to be told; “Thanks but no thanks” particularly when the rejected was set to pony up (potentially) over six-figures for the privilege of acceptance.

But what these parents and their children might not realize is that those numbers are simply how one gets to be considered. Creating an incoming class involves much more than comparing numbers. The goal of creating a class is generally two-fold; the students should be able to succeed and the students should be able to add to their classmates’ educational experience. “Succeeding” can mean many things and varies according to schools and programs. What a student can add to the experience is dependent upon the historic nature of the school, the location, the discipline, and many other elements.

Whether our country is in need of creating equal opportunity for all based on ethnicity and race is a subject for another day. When we do engage in that conversation we should think long and hard about economic class and first generation students when we talk about equal opportunity. But until then let’s be crystal clear about college admissions. It is not simply a numbers game; (hint: that’s why there are essay components and pages of extracurricular activities on the application.)

 
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Posted by on October 10, 2012 in Education

 

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Kramer vs Kramer vs Consumerism

There are films that never lose their emotional wallop, despite how many times you’ve seen them. Steel Magnolias, The Color Purple, Stella Dallas and An Affair To Remember come to mind. There is no element of surprise in the viewing; in fact the memorized dialogue and outcome are part of the pleasure. But the way in which the stories are crafted pull the viewer in for the punch. Of course there are reasons to revisit a dramatic film besides an opportunity to use tissues and visine. Films can tell us an awful lot about how we lived or thought. A film is fantasy of course, but it is a reflection of a director, screenwriter or producer’s viewpoint. Attitudes portrayed about gender, race, sexuality and religion are often an accurate reflection of the time. A film shot in the early 1970s will not only look very early 1970s but sound it too. Women might be referred to as “girls” or “honey,” bottoms might be patted. Generally, if non-white actors appear it’s to make a point. The storyline probably has nothing to do with any of these details, but the details are telling nonetheless.

You might remember the film; Kramer vs Kramer. (For those who don’t; it was a cutting-edge tale of divorce and custody starring Dustin Hoffman and Meryl Streep, set in New York City.) The emotional wallop of the film doesn’t diminish with time. Much of what will rip you to shreds is the incredible performance of (8 year-old) Justin Henry. You’d have to be made of stone to not crumble at the raw hurt and anger on his face. Meryl Streep’s eyes do most of her talking. She has perhaps twenty lines and expresses pages and pages of dialogue with her eyes. The viewer understands everything about these people and their anguish. But there is also (now) a story on the periphery of that story. The year is 1979 and times were decidedly different. The family is middle class (daddy works in advertising.) They are educated people living in a two-bedroom high-rise apartment uptown. The child attends a neighborhood school and they frequent Central Park. Sounds rather timeless, no? It’s what you don’t see that is so telling. The family (before they weren’t one) is living comfortably on one salary. There is no car, there is no private school and there is no luxury. The child’s bedroom has been hand-painted with clouds by the creatively frustrated mother. (In 1979 this was considered somewhat decadent.) However, there is no Pottery Barn kid’s furniture or matching bedding and window treatment. There are some books, some toys, and later a framed photo of mommy. The chaos that ensues with mommy’s departure is linked to the time period. There are no babysitters or nannies on call or even in existence. (Nannies were still for the posh or the British.) Daddy must master grocery shopping and food preparation as take-away was not ubiquitous and children did not dine out. Luckily for daddy there are no play-dates (there is only play) and there are no enrichment programs or team sports for a first-grader.

Now no one would suggest that the late 1970s were halcyon times. The demise of the marriage in question hinged on the fact that the wife felt marginalized. She left her husband and child to “find herself” (aka get some analysis and a job.) But had the marriage worked, and had she felt able to go out and get a job, their lifestyle wouldn’t be that much different. There’d be an after-school babysitter no doubt. But the minimalistic consumption wouldn’t alter. Sure, she might need some work clothes, but shopping wasn’t a legitimate hobby in the 1970s. New appliances would’ve only been purchased if every attempt at repair had been exhausted. There were no strollers being sold for the same price as a moped. In short, they would have had more money and more time (not running from expenditure to expenditure) than they would today. Something to contemplate while watching the film and choking back the tears

 

 
 

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